Andrew Lincoln as Rick Grimes. Photo Jackson Lee Davis/AMC Say what you will about what The Walking Dead has become, but even if you loathed tonight’s ending, there’s no denying that “What Comes After” delivered a full-circle Rick Grimes tribute and season-finale-level game-changers. Negan is broken. Rick is gone, but still breathing. Cue a major time shift and a band of new survivors. And meet Lil’ Ass-Kicker, Judith Grimes, who came here to do two things hand out beatdowns and color — and she’s all out of crayons. As shocking as Rick’s exit was, the signs were really everywhere. The episode has been promoted as Rick’s “final,” with no mention of his death. The fallen friends he met while slipping in and out of consciousness kept saying, “We don’t die.” We know there’s no way Rick simply croaks alone on a concrete slab. And please allow me an honorable mention for saying this last week and yes, I’m about to quote myself “It seems that any chance for Rick to get out of this thing alive has disappeared unless Jadis-Anne’s chopper comes to airlift him to a hospital.” Not exactly a prediction, but pretty damn close! Before Rick flies off into the great unknown, he embarks on an agonizing journey that straddles the physical and metaphysical worlds — or more simply put, slowly bleeds out while taking a wild “This Is Your Life” head trip. The opening scene carries new meaning now that we know how it all ends. At first, it looked like a nod to the first episode of the series, when Rick woke up alone in a hospital. But there were no skyscrapers outside his window back then, and what looked like a swarm of crows in the distance turned out to be … helicopters. The unrecognizable voices asking him, “What is your wound?” might be members of the rescue chopper posse. All hints at what was yet to come. To get there, though, Rick had to remove his belt, toss it over a piece of metal above his head, and pull himself off the rebar spike that impaled him. Is that possible? With a surge of adrenaline and two zombie hordes closing in, probably. But if you’re still judging this show based on plausibility, you might want to find something else to do on Sunday nights. Things certainly don’t get more realistic from there Rick survives an immense loss of blood, has enough energy to ride/fall off that jittery horse, scraps with some zombies, and most impressively after all that, gets blown clean off a bridge into raging waters and washes ashore, alive. But how about those dream sequences? In an obvious nod to the iconic image of season one, Rick leads the newly formed megaherd into downtown Atlanta; the outbound lanes are jammed with abandoned cars, while the inbound lanes are wide open. Soon he’s reunited with Shane in their sheriff’s car, like they were before Rick was shot and the world went to shit. As they eat fries and bust balls, Shane hits Rick where it really hurts — cracking wise about how Judith is his daughter. You think he’d say, “Hey brother, thanks for taking such good care of the kid I had with your wife.” Then again, Rick did kill him. They’re probably right — they’re both assholes. Kudos for the jump scare as Shane lunges at Rick and the scene fast-cuts to a zombie preparing to take a bite. The best cameo is Hershel, who looks so wonderfully healthy and wise and two-legged. Hershel’s farm is basically heaven, and after Rick stops apologizing for everyone who’s gone and every bad thing that’s ever happened, Hershel tells him he can’t stay don’t die yet. Sasha’s appearance was a bit of a head-scratcher — her over Glenn or Abraham or T-Dog or even the kid that was eaten in the revolving door? — but that sea of bodies was impressive. Cue another first-episode reference with the door marked “Don’t Open Dead Inside.” There’s a lot of talk in these scenes about Rick’s guilt, making amends, endings, and finding his family. Rick never finds Carl and Lori, but Sasha is pretty clear that’s not in the cards “Your family — you’re not going to find them because they’re not lost. And you are not lost.” He will be soon, though. While Rick is walker-walking along the line between life and death, Maggie arrives at Hilltop with a crowbar in her hand and murder on her mind. It only takes a minute of debate and a few tears for Michonne to cough up the jailhouse keys and step aside. From behind bars, Negan’s ploy is pretty transparent He’s not trying to get in Maggie’s head, he’s trying to push her over the edge so she’ll put him out of his misery. Can’t blame her for doing him that favor after Negan says he delighted in hearing Maggie’s screams and “cracked open [Glenn’s] skull and popped out his goddamn eyeball.” When Maggie opened the cell door, it seemed like a trap. Would he wrestle that crowbar from her and escape? One of the episode’s biggest surprises was seeing how truly broken Negan has become — begging for death, ugly crying, following orders back into his cell and dropping to his knees. Even Maggie can’t believe what she’s seeing. She delivers a line that might sum up how a lot of people feel about Rick’s good-bye “You’re already worse than dead.” About that good-bye — it is a doozy. Rick somehow makes it to the other side of the bridge and friggin’ Eugene’s calculation that the megaherd would cause its collapse was all hooey. As luck would have it over and over again in this episode, someone left a crate of dynamite on site, and Rick still has at least one bullet left in his Python. The gang arrives in time for Daryl to snipe a few walkers with his crossbow, but after that, they can only watch helplessly as Rick takes aim and blows the bridge — and it’s reasonable to presume, himself — to smithereens. Just as heartbreaking as Michonne’s grief was seeing Daryl see it all happen, losing his recently reconciled bro, and being unable to save him. There was also a gruesome poetry in the heaps of walkers who were drawn to the fire, who went up in flames, and then plunged into the surging river below. That’s when the show began to feel like the third Lord of the Rings movie — just when you thought it was over, boom, another ending! Jadis-Anne appears, and frankly, with all that was going on, I was not in the mood for her bullshit. But somehow, Rick washes up on shore and Jadis-Anne is just as lucky She not only found a passenger, but she’s upgraded from an “A” Gabe to a “B” Rick, whatever the frick that means. Inside the chopper, Rick has a tube in his nose and his eyes roll back, possibly from the unimaginable pain he’s in, or more likely, at the thought of his future with Ziggy Trashpile. Note one of the more obscure callbacks to the series debut. If you’re wondering about the oddly upbeat music in that scene, it’s Wang Chung’s “Space Junk,” which we heard when Rick was trapped in the tank and heard Glenn’s voice for the first time “Hey you! Dumbass. Hey you in the tank. Cozy in there?” But wait, there’s more! As the chopper disappears into the sky, the shack in the foreground suddenly ages. I’ll tell you what I didn’t need in this moment — more randos. Yet that’s what we got; couldn’t quite make out their rushed introduction, but the interwebs tell me four of the five are Magna, Yumiko, Connie, and Luke. Far more important is who’s behind the child’s plea that leads them to safety. If you didn’t know from the second you heard that voice, she’s got a gun, and a sword … and a sheriff’s hat. “Judith,” she says. “Judith Grimes.” She even has the James Bond thing down cold. By the looks of Judy Kick-Ass, we’ve jumped ahead approximately five years, if she was roughly three and is now somewhere around eight. I don’t know where to begin with all of the questions this raises. A-town and the other settlements are sure to look different; the guarantee that windmill Michonne talked of building last week and we see in the opening credits is up by now, and let’s hope Maggie fixed that tractor. What state is Negan in? Did Carol and Zeke have a royal baby? Have the Saviors assimilated? Who’s in charge? When and how will Maggie make her exit — leaving to join Georgie, perhaps? Did someone erect a statue of Rick, and if so, is it Bearded Rick or Five O’Clock Shadow Rick or Clean Shaven Rick? My only complaint is that they didn’t jump even further ahead, so we can see young Hershel and Judith as the power couple they’re destined to be some day. I’ve been saying the show needed to shake things up for a while now. Love this or hate it, consider it — and us — shook. The Walking Dead Recap Good-Bye, Rick Grimes

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TWD_905_GP_0618_0158_RT Andrew Lincoln's final episode of The Walking Dead begins with a trippy scene, as present-day Rick stands over pilot episode-era Rick and a True Detective flock of blackbirds zig-zag across the sky in inkblot patterns before turning into helicopters. Before Lincoln can leave the show with a clear conscious, Rick has to make peace with his ghosts — but not all of them. Carl is only present in the sense that Rick wants to fortify his son's dream for their community and The Walking Dead left such a bad taste in Chandler Riggs' mouth I'm not even sure the actor would've returned to see his TV dad off if he'd been asked. Morgan and Glenn, other figures who played such significant roles in shaping Rick's life, were left out of the latest reunion episode, though Morgan's voice can be heard asking, "What's your wound?" — the same question he first asked Rick when an injured stranger was smacked in the head by his son in the first episode. But Shane, Hershel, and Sasha were there to ease Rick off the show — even though the ending leaves room for a potential cameo appearance or a single-episode arc down the line. Rick isn't ready to die. Slipping in and out of consciousness, he forces himself off the metal barb that impaled him and remounts his white horse a Biblical symbol of the end times. With blood oozing out of his wound, he keeps just far enough ahead of the now combined herds to avoid joining their ranks. As he keeps mumbling to himself, he needs to "keep them safe." Fighting against flashes from his life that invade his mind, his first stop is a cabin with a mailbox out front that reads "Cardille." A leaked still image of this mailbox made its way online earlier in the week causing speculation, ranging from a Lori Cardille reference the actress behind Dr. Sarah Bowman who escaped the zombies of 1985's Day of the Dead in a helicopter, and also invoking the first name of Rick's late wife to an anagram for "Carl Lied." If this was indeed a moment of foreshadowing, it would seem the former theory is true. We'll get to that later. Rick bandages himself up as he glances to the skeleton that was the cabin's former resident. He loses himself in the beams of sunlight shooting through the bullet holes in the walls and sees himself riding his horse with the herd at his back towards Atlanta, a familiar visual from season 1. In the city, he finds Shane. The two recreate their first scene together in the series eating takeout in a cop car. If it wasn't for that third man in the shootout, he says, Rick wouldn't be where he is now. Shane was the source of Rick's rage and killing him began the Ricktatorship. After once again confirming Judith to be his biological child, Shane calls on Rick to dig deep into that rage again and wake up. Rick opens his eyes to find the herd already invading the cabin, forcing him to flee. By this time, Maggie arrives at Alexandria with a crowbar in hand ready to kill Negan, but Michonne is already waiting for her outside the prison in the hopes of talking her down. She can't. Maggie can't live the way she's been living anymore and can't just find a way to turn off her rage over Glenn's death, it's not that easy. So Michonne lets her pass. To Maggie's surprise, she can't bring herself to kill Negan because it's not Negan anymore. The once ominous, omnipresent villain tries to provoke Maggie to kill him, but when she brings him out into the light, she sees his tears. He just wants to die so he can be reunited with his wife, Lucille. Maggie realizes Negan is now worse than dead so she locks him back up. Back outside, she and Michonne are informed of what happened at the camp with the battle against the revolting Saviors. Rick is still riding along the road with the dead at his back when he's visited by the second ghost, Hershel. With the death of actor Scott Wilson still lingering, the episodes is just as much of a sendoff for his character as it is for Rick. The two men gaze out over a lush sunset from the view at the farm. Rick apologizes for what happened to Maggie and Glenn, but Hershel has hope for his daughter and new grandson. He tries to wake Rick up, but Mr. Grimes is trapped in a delirium, talking about needing to find his family. Recap continues on the next page. Rick is whisked away to the hallway of the hospital where he first woke up amid the outbreak. The door that once read "Don't Open Dead Inside" now has the "Don't" crossed out. He walks through and finds himself beneath a grey sky amongst a pile of dead bodies, the corpses of people he knew. It's there Sasha appears. "Little things end," she says, "but it's not the end of everything." She also mentions that he'll never find his family here because his family isn't lost — and neither is he. Rick wakes again, hitting the ground as he falls off his horse at the bridge campsite. He sees the remains of the battle as the herd breaks through the trees and tramples over the tents. Rick's run turns into a haste walk to a shamble. He finds himself before the bridge and as the herd is about to set upon him, Michonne and Daryl lead the rest of the group to clear out the walkers. But that, too, is just a vision. Michonne's presence reaffirms to Rick that these people are his family, that his story wasn't about reuniting so much with Lori and Carl but the family they created for themselves afterwards. He comes to for the final time and leads the walkers across the bridge, ready to sacrifice this project that would've boosted trade and travel between the colonies. The bridge, however, is holding — and his family, too, will hold together when Rick is gone. The real Michonne, Maggie, and Daryl lead in the cavalry from opposite sides of the bridge, but as they race to save Rick, he sees an opportunity to settle the situation himself without putting the ones he loves in harms way. He pulls out his pistol and aims it at the cache of dynamite on the bridge. He fires and the bridge explodes, seemingly incinerating himself along with the dead. The others watch through tears as the dead fall in flames into the rushing current below. From a distance, Jadis spies the column of smoke from the accident. She's waiting to be picked up by the mysterious helicopter group but she lied about having an "A" offering. She hears over the walkie shouts from the others about what happened on the bridge and sees the charred remains of the walkers floating down the river. A lone helicopter is seen flying towards her, but her eye is drawn to something on the river's edge. It's Rick, still hanging onto life, his body slumping into the moist soil. Jadis calls to her envoy on the walkie saying she has an offering, only it's now a "B" instead of an "A." The voice on the other hand warns her that there would be consequences if she lied, but she pleads with them. Rick saved her life once before and she wants to return the favor. Rick is still alive when we last see him. Jadis stands over his body, now attached to an IV in a hospital stretcher inside the aircraft. We still don't see who else is there, but we see them fly off into the distance. Now, as the title of the hour suggests, it's time to see "What Comes After." A time jump takes us to the same scene where Rick took off but with a new group. Straight from the comics, it's Magna, Yumiko, Connie, Luke, and Kelly, a group introduced on the page after a similar time jump and were involved with the plotline involving The Whisperers, another more villainous group coming down the pipe. They are surrounded by walkers in the open field when gunfire from an unknown source rips through the trees and clears a path. The voice of a young girl calls out to them, telling them to run through the opening in the herd. The five bolt for the woods and come across their mysterious savior. A small samurai sword is strapped to the child's back. She holsters her familiar revolver as her hair — half braided, the rest straight — rests against her plaid button-down. Magna asks for her name and the young girl reaches for something on the ground a brown cowboy hat with a gold band wrapped around the crown. Her name is Judith Grimes. It's a similar arc to what happened with Fear the Walking Dead Alicia is the last of the Clarks, and Judith is now the only remaining descendant of the Grimes family — assuming Rick doesn't come back. We still don't know what happens to "B"s in that mystery colony. Also like Fear, The Walking Dead is presented with a new challenge. What is Fear without Madison? What is The Walking Dead without Rick? Related content The Walking Dead EP says show will not suffer after losing Rick GrimesLauren Cohan opens up about leaving The Walking Dead — and her possible return Episode Recaps The Walking Dead S11 E16 Recap The Walking Dead mid-season finale recap New world order By Nick Romano Okea Eme-Akwari as Elijah and Lauren Cohan as Maggie Rhee The Walking Dead Season 11 Episode 15 S11 E15 Recap The Walking Dead recap Lance's new ally is bad news for Maggie By Nick Romano Josh McDermitt as Dr. Eugene Porter The Walking Dead Season 11 Episode 11 S11 E11 Recap The Walking Dead recap Eugene uncovers the deep state By Nick Romano The Walking Dead S11 E10 Recap The Walking Dead recap Here's what everyone is doing at the Commonwealth By Nick Romano Lauren Cohan as Maggie Rhee and Jeffrey Dean Morgan as Negan on The Walking Dead Season 11 S11 E9 Recap The Walking Dead recap So, is Maggie the new Negan or what? By Nick Romano Ritchie Coster as Pope, Lynn Collins as Leah on The Walking Dead Season 11, Episode 8 S11 E8 Recap The Walking Dead recap First part of season 11 ends with a rain of fire and change of the guard By Nick Romano Lauren Cohan as Maggie Rhee in The Walking Dead Season 11, Episode 7 S11 E8 Recap The Walking Dead recap Maggie channels her inner Alpha By Nick Romano Lauren Ridloff as Connie - The Walking Dead _ Season 11, Episode 6 S11 E7 Recap The Walking Dead recap What the heck happened to Connie? By Nick Romano The Walking Dead S11 E5 Recap The Walking Dead recap Welcome to the Commonwealth By Nick Romano Norman Reedus as Daryl Dixon The Walking Dead Season 11, Episode 4 S11 E4 Recap The Walking Dead recap Pope and the Reapers are unmasked By Nick Romano The Walking Dead S11 E3 Recap The Walking Dead recap The Reapers are here to f- s- up By Nick Romano Lauren Cohan as Maggie in The Walking Dead Season 11 S11 E2 Recap The Walking Dead recap Like Train to Busan but on a crashed subway By Nick Romano Sleeping walkers on 'The Walking Dead' S11 E1 Recap The Walking Dead season 11 premiere recap So, like, walkers take naps? By Nick Romano The Walking Dead S10 E22 Recap The Walking Dead season 10 finale recap Negan gets an origin story By Nick Romano The Walking Dead S10 E21 Recap The Walking Dead recap Cooking with Carol! By Nick Romano The Walking Dead S10 E20 Recap The Walking Dead recap Princess is buggin' out By Nick Romano The Walking Dead S10 E18 Recap The Walking Dead recap How Daryl met Dog By Nick Romano The Walking Dead S10 E17 Recap The Walking Dead recap Maggie met some new friends — and enemies By Nick Romano The Walking Dead S10 E16 Recap The Walking Dead recap Maggie arrives… and so does [SPOILER] By Nick Romano The Walking Dead S10 E15 Recap The Walking Dead pseudo season finale recap All hail Princess! By Nick Romano The Walking Dead S10 E14 Recap The Walking Dead recap Beta's origins confirmed By Nick Romano The Walking Dead S10 E13 Recap The Walking Dead recap Here's how the show sends off Danai Gurira's Michonne By Nick Romano The Walking Dead S10 E12 Recap The Walking Dead recap The war hits a shocking turning point By Nick Romano TWD_905_GP_0618_0158_RT The Walking Dead AMC's zombie thriller, based on the classic comic book serial created by Robert Kirkman. type TV Show seasons 11 rating genre Horror Thriller creator Frank Darabont network AMC stream service Fubo TV

Season9. Rick and his group make a risky run into Washington, D.C. to search for artifacts they will need to build the civilization he and Carl envisioned. The communities join forces to restore a bridge that will facilitate communication and trade; someone is gravely injured at the construction site.

Watch Now SynopsisWith the defeat of Negan and the Saviors, the survivors are now rebuilding civilisation under Rick’s leadership. However, the group are forced to face their biggest threat yet as the walkers around them have started rent, or buy The Walking Dead – Season 9Currently you are able to watch "The Walking Dead - Season 9" streaming on Netflix, AMC or buy it as download on Apple TV, Amazon Video, Vudu, Google Play Movies, Microsoft Store. 16 Episodes S9 E1 - A New BeginningS9 E2 - The BridgeS9 E3 - Warning SignsS9 E4 - The ObligedS9 E5 - What Comes AfterS9 E6 - Who Are You Now?S9 E7 - StradivariusS9 E8 - EvolutionS9 E9 - AdaptationS9 E10 - OmegaS9 E11 - BountyS9 E12 - GuardiansS9 E13 - ChokepointS9 E14 - ScarsS9 E15 - The Calm BeforeS9 E16 - The StormRatingGenres Action & Adventure, Drama, Science-Fiction, Horror, Mystery & Thriller Cast Popular TV shows coming soon Upcoming Action & Adventure TV shows

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This The Walking Dead review contains spoilers. In previous seasons of The Walking Dead, there was something of a running joke. Whenever a secondary character got to deliver a speech of some sort or start giving out their backstory, it never went well for that person. If Billy Background suddenly has a dead wife and children that he has to tell a lead character about, then Billy Background is going to die in a hurry. Typically, talkativeness would lead to immediate, tragic death, while everyone around them gawked in horror. See also the kid in the first episode of season nine who is introduced and gets killed within the same episode. Not so with Rick Grimes. The ending of that character’s time on the show didn’t come swiftly, or as a sudden surprising end, but as a media circus. The focus of the ninth season hasn’t been the change in showrunner, or anything behind the scenes, but the final episodes of Rick Grimes. The show’s marketing campaign has been based around Andrew Lincoln’s departure, and rather than try to give viewers a surprise, they’ve been clear. This is the last episode for Rick Grimes as of right now. Other things happen in the episode, but essentially, it’s a 45-minute farewell to the lead character and the promise of repercussions to come. With “What Comes After,” Rick Grimes comes full circle. The show started with Rick waking from a coma, and ended with Glenn calling him an asshole. Get used to Rick being called an asshole, and get used to Rick being told to wake up. Waking up becomes Rick’s mantra, and he keeps repeating it to himself—either as himself or via the memories of all his old friends—time and time again as he struggles to keep himself moving. Rick’s being followed by thousands of zombies, too many for their struggling city-states to handle, and if Rick fails, then this herd will find its way to Alexandria, or Hilltop, or any one of a number of outposts full of Rick’s closest friends and family. Rick’s a fighter, and he’ll need to be to keep everyone he loves from being wiped off the face of the earth. That loop, the closing of Rick Grimes’ journey, is accomplished via a lot of fever dreams and a lot of Rick passing out. He’ll go gray and wake up staring at himself in the hospital, trying to goad himself into waking up from a coma to save his family. He’ll gray out and wake up looking at himself on the back of his horse, leading a very similar walker horde into Atlanta, or wake up in his squad car eating burgers with Shane Jon Bernthal, looking at the very accident scene that led to him being shot and put into a coma in the first place. Shane exhorts him to find his inner Shane, to be the asshole, to do the dirty deeds that he knows have to be done to keep everyone safe. He’ll gray out and wake up in the barn with Hershel the late Scott Wilson, looking out over the beautiful farm while Hershel tells him not to grieve for all he’s lost, because they’re not lost. As long as humanity survives, Rick’s family and friends—Rick’s legacy—will survive. Rick grays out and walks through a field of bodies, the thousands of people he’s lost over the years. Sasha Sonequa Martin-Green stands up behind him, with a message. She tells Rick not to regret the dead. They played their part, like she played hers. Like he plays his. Little things end, she reminds Rick, but it’s not about one of us, or a few of us, it’s about all of us, and the world we’ve been building. Certainly, the producers of The Walking Dead hope that the message of “What Comes After” resonates with fans in more than one way. Rick Grimes, the linchpin of the show since it began, is leaving, but the world will continue on without him unless he decides to return and lean more heavily on those friends and family he’s so desperate to get back to. That’s leaned on heavily in the final moments of the episode, in which Rick stands on the opposite side of the bridge they’d built together while Michonne, Maggie, Daryl, Carol, and the rest watch on from the distance. Greg Nicotero has proven to be a steady hand, both with the action sequences and with the actors. I’d imagine the time they all spend in the make-up chair helps Nicotero and company get to know the actors, and know their strengths, weaknesses, and character motivation. He does a wonderful job with this episode, and all of the flashbacks with faces from Rick’s past are beautifully crafted. Granted, Sasha doesn’t have the kind of relationship with Rick that Shane and Hershel do, but her interaction with Rick isn’t so much about their personal relationship, she’s a stand-in for all the other people Rick has lost along the way. The episode’s pace is maintained well, and the story moves seamlessly from fever dream to sobering reality with a clever series of match cuts Shane’s screaming face morphs into a zombie’s snarl, Hershel a gentle reawakening on the back of a horse, and Sasha a sobering collapse onto the ground that wakes Rick with a startle. Nicotero’s eye works to his advantage. The episode doesn’t contain any real crazy camera movements, but the match cuts are well constructed. The dream sequences are especially well done, and as Rick’s condition gets worse, Nicotero makes sure to show it with simple, effective signifiers—the darkening of blood on his shirt, the increasing pallor of Rick’s skin, the smear of blood from Rick’s hand on the side of his horse, the drops of blood splattering at Rick’s feet with every slow step. The climactic shots of the survivors watching Rick’s last stand or what they feel is his last stand hit hard, and the shots of flaming zombies falling over the side of the shattered bridge is some of the special effects crew’s best work to date. It looks beautiful and horrifying at once, which is the highest praise The Walking Dead can receive. Join our mailing listGet the best of Den of Geek delivered right to your inbox! The B plot—Maggie’s confrontation with Negan—also plays well. The exchanges between Maggie and Michonne are tense and brief; it’s subtle, the threats exchanged in looks and body language more than the words in Matthew Negrete’s script, but it’s pretty clear that they won’t hesitate to go after one another if pushed. Danai Gurira and Cohan have good chemistry as antagonists, and Jeffrey Dean Morgan has done a good job at deflating Negan’s bluster into nothing more than a pathetic attempt to have someone else kill him because he lacks the wherewithal to kill himself. Negan is pathetic, pathetic enough that Maggie decides to let him live in his broken state, as death would be an improvement on his condition. The departure of Andrew Lincoln could potentially become a fresh start for a show that seems to need one. Ratings are sinking, cast members are leaving for other things, and the constant drama behind the scenes can’t help but contribute to the show’s difficulties. However, a new show-runner and a chance to freshen up the cast and plots might be enough to pull the show out of its doldrums. After all, it’s not about Rick, Carl, or any one person, it’s about the world they’ve built, and the future of that world seems to be in steady hands.

Daryl"Chill" Mitchell as Wendell, Mo Collins as Sarah - Fear the Walking Dead _ Season 5, Episode 8 - Photo Credit: Van Redin/AMC. 15 of the best male Bellator fighters of all-time by Thomas Albano. Arsenal defense, youth inspire top-four hope for remainder of season by Kevin Parvizi

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